For the first time in 70 years, the Fondation Henri Cartier-Bresson ...

Martin Parr is among the most influential documentary photographers ...

Two hundred poignant photographs from past and present tell universal ...

The first monograph focused on the work of Elle Pérez, collecting ...

The book  José Suárez: Uns ollos vivos que pensan  (Living Eyes That ...

Produced between 2016 and 2025, Venezuelan Youth is Silvana Trevale’s ...

A large wildfire has a very distinctive sound. No one can tell you ...

Two new identities: Mother and Motherless. The collision of birth and ...

Three sisters: a drug dealer stuck in the parking-lot drinking ...

This title is only available in Spanish

The teaching ...

The Shadow Fleet examines the Russian shadow fleet—the oil tankers ...

In January 2012, Henri Airo’s little sister was killed in a ...

We live in times marked by authoritarianism, violence, and a ...

The images by Ghent-based photographer Boris Snauwaert are poetic and ...

Responds Quickly, Friendly began in late 2022, when van Leunen’s ...

During a warm summer, as Mario Wezel’s (DE) family weaned their ...

An artist's book based on Laila Hida's long-term project exploring ...

A powerful new exploration of politics, power, and image-making by ...

For the first time in 70 years, the Fondation Henri Cartier-Bresson is reissuing this emblematic work by Henri Cartier-Bresson.

Published by Verve in 1955, three years after the resounding success of The Decisive Moment, The Europeans brings together 114 photographs taken by Henri Cartier-Bresson between 1950 and 1955 across ten European countries. Taken during assignments for Harper’s Bazaar, Life, Holiday, and Paris Match, these images form a unique visual testimony of post-war Europe in the midst of reconstruction.

With The Europeans Henri Cartier-Bresson does not aim to provide an exhaustive inventory, but rather composes a vibrant portrait of the inhabitants of a continent undergoing profound change.

As with The Decisive Moment in 2024, the Fondation Henri Cartier-Bresson now offers a reissue of The Europeans in a smaller, more manageable and accessible format, while remaining faithful to the spirit of the original edition.

Henri Cartier-Bresson . The Europeans 


Fondation Henri Cartier-Bresson (publisher)
October, 2025 (date of publication)
ISBN 978-2-9593351-3-6
156 pages

Martin Parr is among the most influential documentary photographers of our time; his eye on consumption, mass tourism, and the everyday has created a distinctive visual archive over the course of five decades. In the publication Global Warning he brings together an extensive selection from this body of work, once again asserting himself as a sharp observer of social behavior patterns.

The book also serves as the catalog for the major exhibition at the Jeu de Paume in Paris (January 30–May 24, 2026) and documents how Parr’s seemingly laconic, often humorous visual language opens up deeper social and ecological readings. The selection spans roughly five decades and is richly illustrated; many iconic motifs appear alongside lesser-known images, clearly showing the range and continuity of Parr’s thematic concerns.

Parr’s standing in photography is rooted in several key projects that sharpened his profile as a chronicler of leisure society: series and books such as The Last Resort and *Small World* brought him international recognition and exemplify his ability to turn seemingly banal scenes into evidence of social critique. His long-standing practice of publishing and exhibiting, as well as the curatorial presence of his work in museums and institutions, underscores the continuing relevance of his oeuvre.

Global Warning expands this biography with contextual texts and precise design: Quentin Bajac contributes the opening words, while additional essays by experts in geography, sociology, conservation, and urban studies frame the selection of images. The production adheres to a restrained choice of materials and a practical book design that brings the visual weight of the photographs to the fore. As a result, the book becomes a focused engagement with Parr’s photographic vision and its ongoing significance for debates about consumption, travel, and the environment.

Martin Parr . Global Warning

Authors: Martin Parr; introduction by Quentin Bajac; texts by Jean‑François Staszak, Roberta Sassatelli, Violette Pouillard, Adam Greenfield
Edition: 2026, standard edition;
ISBN: 978-1-83729-154-0
Language: English
Binding: paperback
Pages: 216
Illustrations: more than 175 photographs
Format: 245 × 210 mm
Country of production: United Kingdom 

For over twenty years, Arturo Pérez-Reverte covered the world's most violent front lines as a war correspondent. War Photographs (1974–1985) brings together, for the first time, more than fifty black-and-white images he captured during conflicts in places such as Lebanon, the Balkans, the Gulf, Mozambique, and El Salvador. These photographs were never intended for publication; rather, they were taken in moments when words fell short.

Accompanied by previously unpublished texts, these images constitute not a photographer's archive, but the visual memory of a witness. They reflect the horror without sensationalism, portraying war as an extreme expression of the human condition. It is a book that presents war unfiltered, through the eyes of someone who learned to observe it without looking away.


Arturo Pérez-Reverte: War Photographs 1974–1985

136 pages
La Fábrica
Dimensions: 22.5 x 26 cm
ISBN 9791387960148

Two hundred poignant photographs from past and present tell universal and timeless stories of people on the move

The Family of Migrants is inspired by the legendary exhibition The Family of Man, an ode to humanity created by photographer and curator Edward Steichen, that opened at the Museum of Modern Art in New York in 1955. This book features around 200 photographs and will show the most striking photography that tells universal, timeless stories of human existence, such as departure, journey and arrival, and themes like family, loss and love.

Among the hundreds of images are iconic as well as unknown photos by, among many others, Lewis Hine, Chien-Chi Chang, Abbas Attar, Robert de Hartogh, Wang Fuchun, Dorothea Lange, Stephan Vanfleteren, Ara Güler, Leonard Freed, Ata Kandó and Ishiuchi Miyako.

With text contributions by Joumana El Zein Khoury, Stine Jensen, Hanneke Mantel, Rim Battal, Rodaan Al Galidi, Danny Ramadan, Anke Reitz, C Pam Zhang and Asma Khan.

Book accompanying the inauguration of the FENIX museum in Rotterdam on May 16, 2025. All pictures from the book will be on display at the exhibition of the same name.

The Family of Migrants

31 x 24 cm
320 pages
Hardcover
English edition
Quadrichromy
ISBN 978 94 6494 156 2

The first monograph focused on the work of Elle Pérez, collecting over a decade of deeply personal and visually striking images that imagine a world of love, desire, and vulnerability.

Love, heartache, pleasure, pain—Elle Pérez has emerged as a defining voice of their generation, collecting over the past decade a trove of deeply personal and arresting images of vulnerability’s rawest materials. Pérez makes disarmingly intimate images that portray states of emotional intensity and physical transformation. They started out as a teenager photographing underground spaces, making a tender and vivid record of unalloyed freedom. Since then, their work has ranged from striking portraits of friends and lovers to gladiatorial photographs of wrestlers, crystalline landscapes and still lifes, and sprawling multimedia collages that pull together influences across art and literature. This book presents the artist’s most influential works from 2009 to the present—alongside the ephemera, notes, and research that inform their singular vision—and confirms Pérez’s mastery of the fine balance between document and imagination, perception and performance.

Elle Pérez . Devotions

Format: Paperback / softback
Number of pages: 216
Number of images: 192
Publication date: 2026-09-22
Measurements: 8.85 x 11.4 x 1.5 inches
ISBN: 9781597115995

The book  José Suárez: Uns ollos vivos que pensan  (Living Eyes That Think) is the definitive catalogue and the most comprehensive work published to date on the life and career of the Galician photographer José Suárez (1902–1974).

Originally published by the Cidade da Cultura de Galicia Foundation and reissued as a trilingual volume (Galician, Spanish, and English), this 383-page book serves as an in-depth monographic study of a key artist of the 20th-century photographic avant-garde.
The title draws on a famous phrase by writer José Bergamín, who described Suárez’s gaze as that of "living eyes that think," highlighting its profound intellectual and humanistic depth.

1. Structure and Photographic Content
The book’s visual core comprises 217 iconic images that structure the photographer’s life and career stages both chronologically and thematically. It is organized primarily into three major sections reflecting his evolution:

Early Series and Avant-Garde: Showcases his break from the costumbrismo (local color/traditional genre scenes) of the era, influenced by European movements such as New Objectivity. A highlight is the renowned photograph of the boy with the model of the Javiota dorna boat. 

Exile Period: Covers the series produced following the outbreak of the Spanish Civil War, a time when Suárez traveled across the Americas and Asia. It includes his striking coverage of the Argentine Pampas, his cultural immersion in Japan, and remote landscapes in South America. 

Return: Documents his return to Spain in 1959. This section compiles his iconic Mariñeiros series (Galician sailors, portraying the sea with both raw honesty and dignity), as well as journeys through La Mancha and Ibiza, the Touros bullfighting series (1967), and his European photo-reportage work as a correspondent (such as the Glyndebourne series). Gallery of Intellectuals: The book features intimate, psychologically powerful portraits of the author's friends and contemporaries—major cultural figures such as Miguel de Unamuno, Rafael Alberti, José Bergamín, and Eduardo Blanco Amor.

JOSÉ SUÁREZ: LIVING EYES THAT THINK

Publisher: Xunta de Galicia (May 2026)
Languages: Galician / Spanish / English
Pages: 383
Hardcover

Produced between 2016 and 2025, Venezuelan Youth is Silvana Trevale’s contribution to her homeland: a testament that distances itself from portrayals of crises to offer a sensitive and profound view of the complexities of Venezuelan identity as seen through the eyes of its youth.

Yet how do you document a place that many dismiss as a ruin even while it teems with life? For Silvana, the eventual answer was to capture children and adolescents who embody incredible light even during difficult circumstances, so that she might transform the trauma of having left her country into a tribute to the strength of those who still remain. In this way, she’s created a book that reflects the Venezuela that truly exists: “the one I love deeply, a wounded and fearful country, but one that still breathes hope.”

Venezuelan Youth . Silvana Trevale

The book:
245 x 295mm | 176pp image section, including 93 colour plates | Hardcover casebound in a Windsor cloth and a the title finished both front and back in a filer foil and blind emboss | 16 page text, index and essay section | Printed on GardaPat 150g/m | Designed by Ricardo Báez | Published by Guest Editions.

A large wildfire has a very distinctive sound. No one can tell you unless they have been in one. It is a sound that can haunt you…
 
One of the deadliest wildfires ever recorded took place on 23 July 2018 just 30km from the historical centre of Athens in Greece. Artist Katerina Angelopoulou survived the fire and her forthcoming book The Fumes of Mars combines her photographs with personal testimonies from other survivors, timelines, maps and reports. With these materials Angelopoulou attempts to weave together a collective narrative of the events to better understand the violent disconnect between her own experience and the ‘official’ account of the disaster in which facts were concealed and victims held culpable.

The Fumes of Mars . Katerina Angelopoulou 

Published September 2025
Essays by Michael Herzfeld and Yiannis Gabriel
195 x 255 mm
232pp, 101 images
Hardback
ISBN 978-1-915423-88-7

Two new identities: Mother and Motherless. The collision of birth and death marks the inception of what has become a long-running commentary, nearly a decade in the making.

In-Passing began in 2015, the year Lisa Sorgini (b. 1980, Australian) became a mother to her first child, shortly followed by the loss of her mother to illness.

Initially, the creation of images served as both a determined witness to a new reality and a therapeutic outlet for her grief and awe. The images are saturated with the profound metamorphosis that accompanies motherhood, representing the corporeal and psychological shifts that redefine the self. Reminiscent of the adolescent journey, this evolution of identity navigates a liminal space where the maternal self simultaneously vanishes and is reborn—a quiet reinvention at the threshold of both loss and renewal.

In its most apparent form, it is a visceral account of the chaos and intimacy within the familial space during her children’s formative years. Each image speaks to the complexities, intimacy, and emotional landscapes of the mother-child universe.

Beyond this, there lies the pursuit of something more elusive—an intangible force that lingers at the periphery of memory and consciousness. It embodies the unspoken weight of motherhood, shaping each experience in ways that are deeply felt but not always easily understood.

Lisa Sorgini . In-Passing

The book contains a preface written by Lisa Sorgini.

21,4 x 26 cm. 72 pages. 49 color plates. Offset printed paperbound hardcover. Linen thread bound. Beige headband. Authentic tip-in image on front cover. Typography on spine and back cover in white foil.

ISBN 978–91–88113–80–1

Published in 2025.

Three sisters: a drug dealer stuck in the parking-lot drinking culture of 2010, a naturist obsessed with personal hygiene and sharks, and a young woman fascinated by Victorian society. A mother fixated on health and cleanliness who dreams of being Joan Crawford, and a rural punk aunt who offers them refuge in the village whenever they need it. One family, an intense coexistence, a story that is as rooted in everyday life as it is extraordinary.

In this new installment of the series Are You Who I Think You Are?, Manuela Lorente immerses us in the shared universe of these five women. As is characteristic of her practice, she creates connections between documentary photography and disciplines such as literature and cinema, while casting a critical eye on social reality. Running throughout is a distinctive sense of humor that briefly relieves—and distances us from—the weight of everyday life.

Manuela Lorente (Madrid, 1991) graduated in Architecture and went on to study an International Master’s Degree in Photography and Project Management at Efti. She is devoted to storytelling by means of documentary photography. Her stories combine reality and fiction against the backdrop of Spanish popular culture, personal relationships and the tradition and identity of the city of Madrid. It is the photographs that subsequently inspire the stories, with eccentricity and picaresque as common threads.



¡Qué risa, todas lloran! . Manuela Lorente 

ISBN 978-84-09-87030-1
Dalpine, 2026
Photographs: Manuela Lorente
Concept: Héctor López Gamero & Manuela Lorente
Design: Jaime Narváez
Prepress: Taller Digigráfico
Texts: Pedro Colao León & Manuela Lorente
Softcover
Otabind
21 x 29.7 cm
160 pages
Language: Spanish

This title is only available in Spanish

The teaching career of American photographer Philip Perkis (1935–2025) was shaped over four decades at institutions such as Pratt Institute, Cooper Union, and the School of Visual Arts. In this volume, first published in 2001 by OB Press, the author distills his knowledge into reflections on visual perception, photographic exercises, and practical advice on teaching photography.

The sharp and insightful observations in Teaching Photography: Notes Assembled aim to stimulate and inspire. Through them, Perkis champions photography as an autonomous form of artistic expression and raises a series of questions that invite reflection and open up debate, encouraging teachers and photographers alike to take risks. Devoid of images, the book prompts the reader to exercise the mind’s capacity to visualize—an essential tool in the art of making photographs.


Philip Perkis began photography in the U.S. Air Force in 1957 while serving as B36 tail-gunner. Attended San Francisco Art Institute, studied with Ansel Adams, Dorothea Lange, and John Collier Jr. Went to New York in 1962. He taught at many schools and offered numerous workshops around the world. Served as Chair of Photography, Pratt Institute. He was part of the graduate faculty at the School of Visual Arts and Tisch School of the Arts, New York University. Guggenheim Fellow, NEA and CAPS grants. Numerous solo and group exhibitions. Work is represented in many museum collections. Warwick Mountain Series (Nexus Press, Atlanta, 1978); The Sadness of Men (Quantuck Lane Press, New York, 2008); Conversation with Philip Perkis (anmoc, Seoul, 2009); In a Box Upon the Sea (anmoc, Seoul, 2015); Mexico (anmoc, Seoul, 2019); Octave (in collaboration with Cyrilla Mozenter, anmoc, Seoul, 2020); ar (in collaboration with Cyrilla Mozenter, AC Books, San Diego, 2023); Notan (anmoc, Seoul, 2024). The first edition of Teaching Photography: Notes Assembled was published in 2001 by OB Press. 

Enseñar fotografía. Notas reunidas . Philip Perkis

ISBN 978-84-09-83583-6
Dalpine, 2026
Translation into Spanish: Bandia Ribeira Cendán
Proofreading: Gemma Deza Guil
Design: Jaime Narváez
Softcover
80 pages
14 x 21 cm

The Shadow Fleet examines the Russian shadow fleet—the oil tankers passing through European waters carrying sanctioned Russian oil.

The shadow fleet is both visible and invisible. The ships can be seen from the shore, yet their purpose, ownership, and routes are often obscured. Denmark’s position as the gateway to the Baltic Sea makes this passage one of the world’s most monitored maritime corridors and a crucial artery for Russian oil exports. In the narrow waterways of the Øresund Strait, global trade and geopolitics come into close view from the Danish coast. Although these waters are Danish territory, the UN Convention on the Law of the Sea grants vessels the right of innocent passage.

In 2025, Danish photographer Julia Mejnertsen created this logbook of passing ships, in which oil tankers become part of a wider story of sanctions, hybrid warfare, and international trade. The vessels appear both as concrete objects and symbolic figures within a contemporary geopolitical landscape.

The Shadow Fleet is a record and reflection on how we see—and overlook—the infrastructures and flows that shape global trade and conflict.


In 2024, I heard a podcast in which the Danish journalist Jakob Kjøgx Bohr, who has contributed the text The Shadow Fleet and the Rise of Hybrid Warfare to this book, speaks about the Russian shadow fleet. The existence of this dark fleet was completely new to me. 

What stayed with me was an unsettling feeling of a curtain fall. I was just like any other ordinary citizen, who, from a moral high-ground despised the war in Ukraine, but all of a sudden I now had a front-row seat to the Russian war machine. I am so used to looking at the beauty of my country’s maritime landscapes with great ships on the horizon, but how could I with this newfound knowledge be able to enjoy it? I felt a strong need to document this dissonance - and the result is what you see in this book. In 2025, 292 shadow tankers sailed through Danish waters, in this book you can see 38 of them. Today, the Russian shadow fleet tankers continue to pass by daily, feeding the Russian war economy. And we just wait. For one of these one-haul tankers to ground and spill its oil, or ram into a bridge or send drones into disrupt our airspace. We are witnessing hybrid warfare at its peak. It should be frightening us all, but somehow we just continue to enjoy the view.

- Julia Mejnertsen

THE SHADOW FLEET . Julia Mejnertsen

Unbound, offset-printed book 
80 pages
38 Photographs
Texts by Michelle Wiese Bockmann and Jakob Kjøgx Bohr
25 x 33 cm

First edition of 500 copies
ISBN 978-91-990235-4-0
Designed by Janne Riikonen and Júlia Ángyán
August 2026