Sons of the Living is a photobook about the land and people along the ...

Sons of the Living is a photobook about the land and people along the ...

Atlas Aquæ continues OMNE’s research into nature while exploring the ...

Andujar’s work ‘Yanomami Genocide: Death of Brazil’ was first ...

Catalogue of the first major traveling retrospective devoted to Dutch ...

Photographer Jo Ractliffe is interested in “post-conflict” ...

Nuits Balnéaires has developed a multifaceted artistic practice: his ...

In 2017, I returned to the village. The fields were abandoned, and ...

Through the visual diary of a journey across different countries in ...

Nazraeli Press is pleased to announce a remastered and greatly ...

While organising his archive, Guido Guidi rediscovered negatives and ...

World-renowned director Luca Guadagnino and artist Alessio Bolzoni ...

With this latest series, Kazuo Kitai renews his practice. By ...

In the summer of 1949, Susan Weil introduced her partner Robert ...

An updated edition of Shore's groundbreaking book, now with ...

A comprehensive survey of a prolific photographer who fearlessly ...

Diane Arbus: Sanctum Sanctorum brings together forty-five photographs ...

This momentous publication catalogues the last major group of William ...

Sons of the Living is a photobook about the land and people along the highways of America’s deserts. Photographed over the course of a decade in the American West’s arid and sweeping terrain, this work depicts a human capacity for endurance. Schutmaat offers an updated view of the “open road” that addresses a new era of uncertainty and anxiety. Amidst a backdrop of environmental decline, economic dispossession, and societal neglect, Sons of the Living draws attention to trouble on the road ahead and searches for our hope to withstand it.

Sons of the Living . Bryan Schutmaat

Second edition softcover

11.75x14.75 inches. 188 pages. 90 tritone plates on uncoated paper. Cloth cover and foil stamp text. Page edges painted black. Designed by Cody Haltom. Production management by Thomas Bollier.

Sons of the Living is a photobook about the land and people along the highways of America’s deserts. Photographed over the course of a decade in the American West’s arid and sweeping terrain, this work depicts a human capacity for endurance. Schutmaat offers an updated view of the “open road” that addresses a new era of uncertainty and anxiety. Amidst a backdrop of environmental decline, economic dispossession, and societal neglect, Sons of the Living draws attention to trouble on the road ahead and searches for our hope to withstand it.

Sons of the Living . Bryan Schutmaat

Second edition hardcover

11.75x14.75 inches. 188 pages. 90 tritone plates on uncoated paper. Cloth cover and foil stamp text. Page edges painted black. Designed by Cody Haltom. Production management by Thomas Bollier.

Mana is one of the fundamental ideas of the Polynesian worldview, a sacred force of supernatural origin. To have Mana means to have influence, authority, the ability to act upon a situation. The quality of Mana is not limited to individuals. People, governments, places, animals, and inanimate objects can also possess Mana.

The photographs were taken in the Portuguese prisons of Odemira, Tires, and Santa Cruz do Bispo during the autumn of 2025. All these prisons are very close to the Atlantic Ocean.In 2025, Autumn was hot, cold, mild. In prisons, women are not allowed to have mirrors, phones, or cameras. Dinners are at 6:30 pm and the return to cells is at 7:00 pm. A large part of the sentences served are related to drug crimes. In some prisons, there are baby carriages in the wings. In others, there are anti-violence protection nets.

Were you able to see the full moon from your window today?

Mana é uma das ideias fundamentais da mundivisão Polinésia, uma força sagrada de origem sobrenatural. Ter Mana quer dizer ter influência, autoridade, ter a capacidade de actuar sobre uma situação. A qualidade de Mana não está limitada a indivíduos. Povos, governos, lugares, animais e objectos inanimados também podem ter Mana.

 As fotografias foram feitas nos estabelecimentos prisionais de Odemira, Tires e Santa Cruz do Bispo durante o Outono de 2025. Todas estas prisões ficam perto, a poucos quilómetros, do Oceano Atlântico. Em 2025, o Outono foi quente, frio e ameno. Nas prisões, as mulheres não podem ter espelhos, telefones ou câmaras fotográficas. Os jantares são às seis e meia e a recolha às celas às sete. Grande parte das penas cumpridas estão relacionadas com crimes de tráfico ou consumo de droga. Nalgumas prisões há carrinhos de bebés nas alas. Noutras há redes de proteção anti-violência.

Conseguiste hoje, da tua janela, ver a lua cheia?

MANA . André Príncipe

Softcover, 21x29cm, 48 pages
ISBN 978-989-36176-4-9
Edition of 400, all signed and numbered

The blue of the Okinawan sea— it is memory, it is prayer, a bridge between this world and the other.
Beyond the horizon lies Nirai Kanai, a paradise believed to exist across the sea.
The afterworld was never darkness, but a realm of deep, lucid blue light.
That blue drifts softly, like the breath of a dragon, gently binding sky and sea, life and death, this shore and the next.
The ino, a shallow sea cradled by coral reefs, rests between two realms.
Dragon Blue is a place of prayer, a living memory of light.
Like the tides that rise and fall, life circles quietly,light becomes waves, and waves dissolve into prayer— leading the soul along the blue path towards Nirai Kanai.

DRAGON BLUE . Keiko Nomura


Softcover with flaps, 21x29cm, 32 pages
400 copies
Pierre von Kleist editions 2026

Black sand, bodies touched by nature and an earthly volcanic energy.
Ocean Rain by José Pedro Cortes gathers images from the archipelagos of Azores, Canary Islands and Cape Verde, taken over the course of the last years.
These islands, located off the coast of North Africa and Europe, are part of a region known as Macaronesia, a group of archipelagos of volcanic origin.

Published on the occasion of exhibition with the same title at Galeria Fonseca Macedo (27.09-30.11.2025), in Ponta Delgada, Azores, as part of Walk&Talk - Arts Biennial 2025 | Gestures of Abundance.

Ocean Rain . José Pedro Cortes

Pierre von Kleist editions / Walk&Talk - Bienal de Artes 2025
Softcover, 21x28cm, 32 pages
September 2025
ISBN: 9789893617618

Andarilho Marquês / Antas é um livro de sonhos que combina texto e imagem. Um livro sobre a cidade do Porto, infância e viajar no tempo.

 “Do Marquês, desço a Rua da Constituição para o Lima 5. Um nevoeiro pesado baixou. As ruas estão desertas, e os meus passos fazem eco como num filme.  Faço um esforço para focar as coisas, para realmente ver, e, de repente, acordo. Estou num sonho. Continuo a descer a rua e entro no antigo Caffi, que é agora uma livraria. Em cima dumas mesas, há muitos livros novos. Sem pressa, leio os títulos nas capas. Concentro-me e encontro o que procurava. O livro chama-se Andarilho Marquês / Antas.Abro na primeira página e leio:

As fotografias e textos deste livro foram feitos entre 1996 e 2023. As fotografias foram feitas ou tiradas pelo autor no Porto, nas zonas do Marquês, Antas, Baixa, Boavista e Foz. Os textos foram escritos em diferentes lugares, mas referem-se a episódios passados nessas mesmas zonas.”

Capa mole com badanas, 116 páginas, 17x23,5cm
ISBN 978-989-36176-0-1
Publicado com o apoio do programa Criatório.

 

Andarilho Marquês / Antas is an image and text book of dreams about Oporto, childhood,time travel.

 “From Marquês, down Rua da Constituição, heading to Lima 5. A heavy fog descended. The streets are empty, my footsteps echo like in a movie. I make an effort to focus, to really see and, all of a sudden, I am awake. I am in a dream. I keep down the road to the old Caffi, that is now a bookshop. On top of some tables, I see many new books. I read the cover titles, leisurely. I concentrate to find what I am looking for. The book is called  Andarilho Marquês / Antas. I open the first page and read:

The photographs and texts on this book were made between 1996 and 2023. The photographs were done or taken by the author in Oporto, in Marquês, Antas, Baixa, Boavista and Foz neighborhoods. The texts were written in diferent places, but they refer to episodes that happened in those same neighborhoods.”

Andarilho Marquês . Antas by André Príncipe

Softcover with flaps, 116 pages 17x23,5cm
ISBN 978-989-36176-0-1
Publlished with the support of the Criatorio programme.

A myth is a story from the time when men and animals had no difference. To live in a shared land with other species with whom we cannot communicate is the most tragic, the most offensive, fault to the human heart and soul. Myths refuse to accept that condition as original. André Príncipe’s Anima – Encounters with wild animals in Portugal - is in line with those myths.

Meaningful encounters with animals in our land are now very difficult due to ignorance, cruelty, loss of habitat, utter disrespect, desire for domination and profit. When animals see us, they wisely fly away, run away, or turn their back to us. The photographs in this book are portraits using a normal lens that reproduces our field of vision. They are not about voyeuristically observing animal behavior, but an attempt to encounter animals as our equals.

The images were taken across continental Portugal, the Azores and Madeira, over a period of 20 years. They are the result of a lot of patience, a lot of waiting, a lot of help from those who still know about animals. In Portuguese language, the word for portraits – retratos – means going back. On the land, we can still see traces of times when men and animals, psychedelically, lived together. These traces, statues, drawings found their way to this book. They are a reminder of how things can be.

In school, we were told that the animals that lived in Portugal were domesticated; dogs, cats, chickens, pigs, horses. The wild animals lived in distant lands, or in our zoos. In almost every culture, the names of animals are some of the very first words said by children. And yet, how disappointed and bored they are when you take them to a zoo! Those aren’t the animals as they know them, as they named them. 

Only 35 000 years ago, elephants lived in Costa Vicentina, southwest of Portugal. Sperm whales, vultures, seals, sharks, chameleons, deer and eagles still do.  Children remember what our teachers forgot long ago. This is a children´s book. It aspires to contain the wisdom of children.

ANIMA - ENCOUNTERS WITH WILD ANIMALS IN PORTUGAL
André Príncipe

 

Embossed Hardcover, 18x26cm, 100 pages
ISBN 978-989-53531-9-4

Portugal is burning in ESTRELA DECADENTE, Nuno Barroso´s first photo book.

Chasing utopias turned dystopias, escaping dystopias, stumbling in utopias in color, black and white, 35mm, medium and large format between 2010 and 2018 in Portugal.

Tagus and Douro vultures
relations and failed revelations
ancestral and contemporary rituals
impermanent cosmic mutation
embracing Ornithology errors.


ESTRELA DECADENTE . Nuno Barroso

Embossed hardcover, 206x265cm, 160 pages
ISBN 978-989-53531-8-7

Atlas Aquæ continues OMNE’s research into nature while exploring the language and possibilities of contemporary photographic publishing. Following Index Naturae and Index Naturae. Revisited (Skinnerboox, 2023–24), this volume investigates water through images drawn from 68 photobooks published between 2018 and 2025. Conceived as a laboratory of visual narratives, it examines water’s forms, states, and meanings across natural, cultural, and symbolic dimensions. Structured as a “book of books,” it preserves individual voices within a collective framework. Inspired by the atlas tradition, the volume creates a dynamic flow that invites reflection on environmental, political, and poetic perspectives surrounding water today.

OMNE / ATLAS AQUÆ 

148 p, ills bw, 17 x 24 cm, pb, Italian/English
Author     
Publisher     Skinnerboox
ISBN     9788894895865

Andujar’s work ‘Yanomami Genocide: Death of Brazil’ was first presented in April 1989 at the São Paulo Museum of Art (MASP) as an installation with colour slides projected onto plastic screens and mirrors. The photographs were originally black and white, and the artist’s re-illumination of the images reshaped their meaning, instilling urgency for that moment and the years that followed. Andujar’s aim was to raise awareness of the situation faced by the Yanomami, who at the time suffered from disease brought to their land by illegal gold miners. In this new book, Andujar has again recontextualised the images, bringing them into the present and reshaping their meaning for dissemination to a contemporary audience, as the Yanomami remain in peril.

The photographs in the book show both the Yanomami and the landscape they inhabit. They were created with a variety of experimental techniques to visually represent the shamanic culture. They are often high contrast with dramatic light and shadow, distorted, cropped, imbued with a sense of movement, menace, and the otherworldly. The images of people focus on fragments of bodies or close-cropped portraits, hinting at intimacy and the psychological.

Claudia Andujar was born in Neuchâtel, Switzerland, in 1931. She immigrated to the United States in 1944 due to the persecution of Jews during World War II. She studied painting in New York and worked as an interpreter at the United Nations. In 1955, Andujar moved to São Paulo, Brazil, and began her career as a photographer. In 1971, she received a grant from the Guggenheim Foundation to research the Yanomami people from the Brazilian Amazon. From 1978 to 2000, Andujar worked for the NGO Commission Pro-Yanomami and coordinated the campaign for the demarcation of the Yanomami territory, which was officially established by the Brazilian government in 1993. Andujar’s work has been the subject of numerous international group and solo exhibitions, notably the 60th International Art Exhibition, La Biennale di Venezia. Her work is held in the collections of MoMA, Maison Européenne de la Photographie, Tate Modern, MACBA, Fondation Cartier pour l'Art Contemporain, Centre Georges Pompidou, and Inhotim Institute, where she has had a permanent gallery since 2015.


Genocídio do Yanomami . Claudia Andujar

27,3 x 18 cm
176 pages
750 copies
Hardcover with French folds

ISBN 978-618-5479-47-3

Catalogue of the first major traveling retrospective devoted to Dutch photographer Dana Lixenberg. Spanning more than three decades, American Images presents a nuanced exploration of contemporary American society through Lixenberg’s editorial portraits, and a selection of her most significant projects. From the emblematic Imperial Courts, initiated in the aftermath of the 1992 Watts uprising, to her portraits made in Jeffersonville (Indiana) and Shishmaref (Alaska), Lixenberg captures the essence of humanity across diverse and complex contexts. Her images transcend mere appearance; they tell stories of inequality, identity, and resilience. 

American Images . Dana Lixenberg

Co-published with Fundación MAPFRE. With texts by the exhibition curators Laurie Hurwitz and Marcel Feil. Design: Roger Willems.

ISBN 9789464460988
192 p, ills colour & bw, 24 x 32 cm, pb, French/English

Photographer Jo Ractliffe is interested in “post-conflict” landscapes, particularly in southern Africa, as places of memory marked by the violence of war, even in their soil and ruins. Her photographs, mostly in black and white, reveal the traces and absences left by apartheid, regional conflicts, and population displacement. Ractliffe's work unfolds in this tension between visibility and invisibility, between intimate memory and collective narrative carried by landscapes that become domestic spaces and geopolitical territories. Her photographs—roads, vacant lots, urban peripheries—bring to light places where history surfaces without ever fully revealing itself. Through sober and poetic images, the artist captures the lingering effects of violence and historical trauma: by considering silences as witnesses to violence, she moves away from social documentary and focuses less on the event itself than on its “aftermath,” questioning the way in which landscapes become archives. Her recent projects, including her latest series The Garden, which will be shown for the first time at the Jeu de Paume, extend this reflection by addressing the forms of dispossession and resistance inscribed in the landscape.
Three essays written by Pia Viewing, curator of the exhibition, Rory Bester, South African art historian, and Oluremi Onabanjo, curator at MoMA in New York, are complemented by short texts written by the artist, offering a personal voice on each of her photographic series.

Jo Ractliffe . Out of Place

Signed books will be sent out starting January 28
Version: English 
Hardcover, 22 x 26,5 cm
336 pages
Around 250 colour and B&W photographs
Photographs
Jo Ractliffe
Texts
- Pia Viewing, curator of the exhibition
- Rory Bester, art historian
- Oluremi Onabanjo, curator of photography at MoMA
ISBN ENG : 978-2-36511-466-0
Copublished with the Jeu de Paume
Exhibition
Out of Place
Jeu de Paume, Paris
January 30 - May 24 2026