Between text and image, this photobook constructs the complex story ...

¿Cuánto viven las casas? is the story of a period of uprooting of the ...

The images that appear in Rama were not taken with the pretensions of ...

On the south coast of England, where the cliffs meet the Atlantic and ...

Heap-O-Livin’ features a selection of images by Wyoming photographer ...

Aftersun is a small sample of Pol Viladoms' obsession with abandoned ...

Salva Borrego's first book is an intimate portrait of his childhood ...

The Winner of 2024 Paris Photo-Aperture Photobook Awards, First ...

Artist and critic Stanley Wolukau-Wanambwa presents INDEX 2025, a ...

The British documentary photographer Martin Parr is renowned for his ...

In UKRAINE, photojournalist Eddy van Wessel documents a raw account ...

Starting with a few rolls of film (given by an old friend) shot in ...

For 500 years, in San Cristóbal de las Casas, Chiapas, every ...

The proliferation of plastic use in the toy industry began around ...

Ángel Miguel is a unique work, fragile, painful and at the same time ...

Through her extraordinary collection of still frames captured from ...

Between agitation and lightness, Fusako Kodama depicts the ...

In his debut monograph, American photographer Henry O. Head ...

Between text and image, this photobook constructs the complex story of three generations of women in the author's life. The mother's house, full of pets, dolls and peculiar objects, becomes a space both fantastical and terrible, a metaphor for an intricate and dramatic story that Saraí approaches oscillating between fiction and reality, in an honest and profound reflection in words and images.

 ‘Where You Can't See Me is the construction of a fantasy refuge, and although I play with fantasy, the space is not fictional, it is our family history inhabiting this book’.

Between intervened archive images, photographs taken by the author, texts, and a delicate invoice that includes several different booklets, the narrative of Where You Cannot See Me is constructed, materialised in a fascinating object that hides and reveals disturbing secrets.Intervened archive images, photographs taken by the author, texts, and a delicate invoice, this photobook constructs the complex story of 3 generations of women in the author's life.

WHERE YOU CAN'T SEE ME . SARAÍ OJEDA

Languages: Spanish | English

OFFSET EDITION

Size: 13.5 x 19.5 x 1 cm
Number of pages: 106
Offset printing
Print run 500
Languages: Spanish | English
Special finishing touches: 
Cover handmade by the author

¿Cuánto viven las casas? is the story of a period of uprooting of the author and lack of belonging, both in the territory and in a time when family ties are broken, exposing the fragility of her children's childhood, of her own motherhood. Through images and texts, Daniela Unger reflects on her experience of motherhood, which confronts her with a profound internal crisis, sending her back to her own childhood, to the fragility of the experience of the first stage of becoming a mother.

The story unfolds in the context of leaving Mexico, her native country, to be confronted with living in isolation in a new territory: Valparaíso, Chile, a hostile and dramatic terrain, both in its territory and in its history marked by dictatorship and latent violence. The story is constructed and gains strength through the intertwined voice of the author both in text and images, together with that of her three and six year old children, who narrate through drawings and anecdotes of their dreams and experiences, transcribed by hand by her eldest son, and included in the book as inserts on a different piece of paper, under which we find their translation.

HOW LONG DO HOUSES LIVE? DANIELA UNGER

Size: 24 x 18 x 2 cm
Number of pages: 132
Offset Printing
Print run 200
Language: bilingual Spanish | English

The images that appear in Rama were not taken with the pretensions of a project. They are the result of the painful experience of a sentimental breakup.
Taking them was for Antonia a way to get out of that emotional drift, to carry the mourning.
She portrayed landscapes and objects loaded with meaning for her and also people who crossed her path, who were even going through the same thing and who, in the words of the author, helped her to alleviate the weight of nostalgia and the pain of saying goodbye to a past.
A visual diary that was kept in a drawer and now comes to light.
Antonia says that when you give yourself to someone it is as if you were giving them a weapon with which to hurt you, that love is the most powerful weapon that exists.

Rama . Antonia Moreno

April 2025
Copyright of photographs © Antonia Moreno
Editing: Eduardo Vargas and Antonia Moreno
Design: Eduardo Vargas
Texts: Ben Clark
Printing: La Imprenta CG
Publica UFCA
Third Edition Alberto Galán Grant
© 2025 all rights reserved
ISBN: 978-84-09-70193-3

Translated with DeepL.com (free version)

On the south coast of England, where the cliffs meet the Atlantic and the sky merges with the sea, “Horizons” is born, a poetic exploration of the relationship between humans and the horizon, that boundary between what we see and what we imagine, a symbol of the unattainable and of what is yet to come. Because the horizon is not a fixed limit, but a personal construct, and each individual, when gazing out to sea, creates their own, filling it with meaning, memories, and desires.

 
This work is also a personal exploration: Alex Llovet has spent ten years photographing the sea in Cornwall, where his in-laws live, observing the customs and traditions of the British people on their coastline, and thus trying to understand the identity that has been lent to him. For them, it seems to be as much a place of recreation and contemplation as it is of resistance to the elements, communion with nature, and tradition. Cornwall is, in particular, a territory where history and geography have shaped a way of life. Here, the horizon is not just a point in the distance, but a constant reminder of British insularity, of its connection to the sea as a means of escape, trade, adventure, and defense. In these horizons, Llovet seeks to recognize the gaze of those around him, to understand their sense of belonging and, in some way, to make it his own.

 
As for the photobook, the layout responds to a visually simple but symbolically powerful idea: the horizon always remains at the same height, while the photographs move up or down, evoking the movement of the tides and turning the sequence of the book into a continuous flow, like the very breath of the ocean in the ebb and flow of the water on the shore. Above all, “Horizons” is a tribute to contemplation, a reminder of the need to stop, observe, and exist in a world that seems to want to push us, faster and faster, to move forward without rest.

Horizons . Alex Llovet

First edition: 150 numbered and signed copies
Photographs and concept: Alex Llovet
Poem (in Spanish and English): Lucy Harvest Clarke
Text (in Spanish and English): Josep Maria de Llobet
Edition: Alex Llovet and Josep Maria de Llobet
Design: Alex Llovet and Kentaro Terajima
Pre-printing: Josep Maria de Llobet
23 x 28 cm
48 color photographs
88 pages
Printing: Artefacto (Bilbao)
Softcover binding with folded cover
Publication date: May 2025

Heap-O-Livin’ features a selection of images by Wyoming photographer and diarist Lora Webb Nichols (1883-1962). Nichols created and collected approximately 24,000 negatives and 65 years of diaries throughout her lifetime in the town of Encampment.
In addition to the industrial and economic aspects of this sparsely populated ranching and copper mining town, Lora’s images and diaries documented the lives of the girls and women within private households.
Despite the inherent isolation created by geography, the long brutal winters, and the patriarchal ideology that undervalued the role of women in Encampment in the late 19th and early 20th century, a robust female-led community emerged that provided a network of spiritual and emotional support. This was cultivated through the habitual visitations of immediate and extended family and friends into each other’s homes during their transition from children to wives and mothers. In Nichols’ sphere, these visitations often involved the act of picture-making.
Lora photographed their duties as mothers and homemakers but also made photographs that reveal the pleasure they experienced in simply being in each other’s company.

‘Heap-O-Livin’’ is following the sold out book ‘Encampment, Wyoming’

Lora Webb Nichols . Heap-O-Livin’

192 paginas / 21,5 x 28 cm / edit and text by Nicole Jean Hill / isbn 978-90-834510-9-1

Aftersun is a small sample of Pol Viladoms' obsession with abandoned architecture and construction and urban planning models linked to tourism. Among these, water parks stand out, to which he has dedicated fifteen years of travel, research, and exploration. This quest has led the author to travel ever greater distances: from the Mediterranean to the Adriatic and from there to the Sea of Crete, until reaching the coasts of Japan and California, visiting more than 50 locations.

Linked to sun and beach tourism, water parks began to populate our coastline during the 1980s and 1990s, offering new sources of hyperbolic fun close to the sea. They emerged as an extension, an orthopedic addition to nature itself, tailored to a type of tourist consumption that is nothing more than an extractive form of a territory that turns the landscape into another product, consumable and disposable. The lack of planning and analysis led to overbuilding and the subsequent closure and premature abandonment of many of these parks, caused in part by competition and the shift towards more sustainable and “authentic” tourist consumption.

 

The photographs are accompanied by fragments of images taken from postcards (of the water parks themselves) collected over recent years. Through their shapes, colors, and motifs, these compositions establish a new temporal dialogue with the author's own work and nostalgically bring these spaces back to life, while at the same time taking us back to our childhood memories [...] that transport us to that fleeting moment of happiness and shared play, turned into a propaganda claim for the next visitor."

Excerpt from the text by Beatriz Escudero, included in the book.

Aftersun . Pol Viladoms

First edition: 500 copies
Photographs: Pol Viladoms
Edition: Alex Llovet and Pol Viladoms
Text (in Spanish and English): Beatriz Escudero
Dust jacket design: Requena Office
Layout and interior design: Beltimorestudio.net
Pre-press: Josep Maria de Llobet
20 x 25 cm
41 original photographs and 28 color postcard images
116 pages
Swiss binding with exposed thread, printed hardcover, and printed plastic dust jacket.
Includes a postcard
Publication date: June 2025

Salva Borrego's first book is an intimate portrait of his childhood home. Through images that reveal the various spaces, people, objects, and memories that nourish this place, we witness a reflection on identity through the transformation of this space, now inhabited only by his mother, and the dissonance between the past and the present. Little by little, this exploration unravels the emotional currents we forge with our homes as we reach maturity, encouraging us to reconsider family relationships, shared dreams, and adaptation to the unexpected and inevitable twists and turns that shape our lives.

A Través del Umbral . Salva Borrego

First edition: 300 copies
Photographs: Salva Borrego
Edition: Alex Llovet and Salva Borrego
Design: Refugio
Pre-printing: Josep Maria de Llobet
17 x 22 cm
42 photographs in trichromatic printing
84 pages
Hardcover binding with printed cover
Publication date: May 2025

The Winner of 2024 Paris Photo-Aperture Photobook Awards, First Photobook Award

Born from the Same Root  . Tsai Ting Bang

Second edition

Hardcover

Offset printing

240 pages

210x145 mm

ISBN 9789860621747

Limited edition of 500 copies

Numbered 2025

Artist and critic Stanley Wolukau-Wanambwa presents INDEX 2025, a book constituted by cuts, folds, citations, terms and images, all of which explore the resonance of its (im)proper name. The book may have begun in the summer of congressional Kente cloth, in the operation of summer camps, or in the imprecise materiality of social distance. Its origins are certainly multiple, multiply uncertain, as stable as any reflection given in space over time. Or, as fixed as any photograph. 

Stanley Wolukau-Wanambwa . INDEX 2025


Roma Publications


Design: Roger Willems. ISBN 9789464460766 

412 p, ills bw, 23 x 28 cm, pb, English

The British documentary photographer Martin Parr is renowned for his iconic, hyper-realistic, and quirky images that highlight the peculiarities of human society and modern life. Now, for the first time, Rookie Books presents a publication in which Parr shifts his focus to animals – with the same curiosity and relentless drive to capture the ordinary in extraordinary ways. “Animals” is a treat for photography enthusiasts, animal lovers and anyone who enjoys Martin Parr’s unique, playful take on the world.ç

Animals . Martin Parr

Rookie Books, 2025
w180 x h255 mm
First Edition
16 Pages
Cardboard Book

In UKRAINE, photojournalist Eddy van Wessel documents a raw account of three years of war in Ukraine through (analogue) photography and firsthand testimonies. With decades of experience covering conflict zones, he focuses on what war means for those living through it – the soldiers on the front lines, civilians sheltering in devastated towns and cities, and those forced to flee. His images capture the visible destruction and the psychological and emotional toll of prolonged violence, making this book a visual and narrative testimony with a complex and layered depiction that is reflecting on the human cost of the largest war in Europe since World War II. It explores displacement, survival, and the boundaries of humanity in times of crisis. Where does humanity end and inhumanity begin? How do individuals maintain dignity and resilience under constant threat? What does survival look like when basic needs – and life itself – are no longer guaranteed?

Eddy van Wessel . Ukraine

Book: 24×28 cm / 240 pages / softcover / engels / texts: Eddy van Wessel and Mustafa Can / isbn 978-90-835197-3-9

Starting with a few rolls of film (given by an old friend) shot in the middle of the pandemic year in the limited environment of the house, the garden, work, visits to nature, "No todo está perdido" is a work about the creative block, about reconciling oneself with the process and about having a kinder look at oneself.

Special edition with signed copy of 13x20cm printed by Estudio Paco Mora. Free shipping and handling (Spain).

The books will be shipped in the second half of June.

(After the shipment the buyer will be asked which of the images of the book he/she wants to be printed as a copy, and it will be sent to his/her home address)

No todo está perdido . Gustavo Alemán

155x216 mm
136 pages
Digital printing
Softcover
Munken Pure Rough 100g paper / Munken Pure Rough 300g cover
Preprint / Lucam printing
Design underbau
Print run 200 copies

Note: The current images of the book are simulations of the final product. The book is in production and will be replaced by real images as soon as they become available.