OKINAWA . Keiko Nomura
Pier Von Kleist
On the southern tip of Japan, Okinawa is an archipelago that floats in the beautiful ocean. In ancient times, seafarers plied the oceans to Japan and other countries, while a unique island culture flourished. However, Okinawa did not escape the wave of modernity that washed over the islands. Many lives were lost during World War II. Okinawa was ruled by the USA for 27 years and huge US military bases still dot the landscape. For hundreds of years, generations of my maternal ancestors were born, raised and died on these islands. My spirit gravitates toward this archipelago. I want to live in the present and capture the Okinawa that lies before me today.
Keiko Nomura (Kobe, Japan) studied photography in Los Angeles and graduated from Visual Arts College Osaka. She has published 6 books. Nomura received the Newcomer’s Award from the Photographic Society of Japan in 1999 and New Photographer Prize at the 16th Higashikawa International Photography Festival in 2000 and has been exhibiting regularly in Japan in the last years. Women and water have been the motifs in her overarching theme of life’s infinite cycle beyond time and space.
Okinawa is Nomura´s second book with PVK editions, following the critically acclaimed, now sold out Drop of Light to Rushing Water.
OKINAWA . Keiko Nomura
Softcover, 21x29 cm, 32 pages
Limited edition of 500 copies
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This book is published on the occasion of an exhibit of recent photographs by Rinko Kawauchi at the Contemporary Art Museum, Kumamoto. Inspired by individual memories of Kumamoto’s inhabitants, the commissioned exhibition combines their stories with works of photography. An open call resulted in photographs shot at more than 40 locations around Kumamoto and its environs, from parks and the seashore to a train station, empty road, and pond with koi. The series marks a collaborative effort between Kawauchi and the city’s people that chronicles memories in an evocative and personal way. With a booklet insert featuring an extensive text by curator Haruko Tomisawa.
Rinko Kawauchi - The River Embraced Me
Publisher Torch Press
80 p, 23 x 28 cm, hb,
"In my experience, the two most significant characteristics of war are horror and absurdity," says Christoph Bangert, the German photojournalist who has been documenting crises for international publications such as the New York Times for ten years. Following his examination, in his critically acclaimed book War Porn (Kehrer 2014) of the way our society deals with horrific images, in his new work hello camel he now confronts the bitter absurdity of war. He opposes our clichéd notion of modern war as a dynamic, dramatic, and heroic experience with his calm and composed, but equally odd and alien images of the wars in Afghanistan, Gaza, Darfur, Lebanon, and Iraq. Simultaneously, hello camel is a documentary of human striving to create something approximating normality in the face of violence and chaos.
Christoph Bangert . Hello Camel
Hardcover 24 x 32 cm 96 pages 44 color ills English Available ISBN 978-3-86828-683-0 2016
Artist: Christoph Bangert
Texts: Christoph Bangert
Design: Chiho Bangert
Pierre von kleist
Hollingshausen is Anne Lefebvre's second book, featuring photographs and paintings done between 1983 and 2016. A highly free and playful sequence of images of castles, women, animals, UFOs, etc. that form a new imaginary world built of pieces of our own reality. Anne´s adventures in wonderland.
Anne Lefebvre was born in 1963 in Boulogne-Billancourt, France. She studied painting at the École Nationale Supérieure des Beaux-Arts de Paris, and then studied photography at the Parsons School in Paris. Her work is exhibited regularly in France, Belgium, Germany and Portugal, and also at art and photography fairs. Her photos have also been published in many books.
HOLLINGSHAUSEN . Anne Lefebvre
Hollingshausen by Anne Lefebvre / Hardcover, 20.5x28 cm, 112 pages, Colour and black and white / Edition of 500 copies
Do not worry if you have built your castles in the air. they are they should be.... Now put foundations under them.
Pierre von kleist
Pierre von Kleist
Família Aeminium is a new book by filmmaker Pedro Costa and sculptor Rui Chafes.
A mysterious sequence of photographs done during the exhibition Família conceived by the artists for the Roman Cryptoporticus in the city of Coimbra.
The Cryptoporticus, suspended in time, vacant and silent, was once a lively and vibrant forum.
The sculptures and the images living in these distant chambers, recall the lost gazes, the memory of whispers and movements.
FAMÍLIA AEMINIUM by Pedro Costa and Rui Chafes
Hardcover, 54 pages, 18x26mm, color.
With a poem by João Miguel Fernandes Jorge.
Pierre von Kleist
Self - Published
CHARKOW is about the search for a sense of belonging with on its centre the artist’s mother and her secrets.
Her mother fled during World War II from Ukraine through Germany to Holland.
She destroyed all personal belongings and concealed her origin. She searched and built her HOMELAND in her daughter.
But for her daughter she remained a mystery.
…Who was that woman with a suitcase full of photographs torn in half, who made that same suitcase vanish after I had found it as a little girl, on the top shelf of the hall cupboard?
My mother didn’t throw pebbles but bread crumbs, in the knowledge that the birds would eat them.
Bread crumbs are all I’v got left.
CHARKOW consists of seven very complex and exceptionally designed, large format booklets. Each is dedicated to a person or a couple.
Ellen Korth has visited men and women, who still have a feeling of home, in their apartment, in their garden, in items that they keep, or in their partner.
In each issue, the pages are getting smaller and smaller to the inward, as a reader, you penetrate deeper and deeper into these private micro universes and in the middle of each booklet we encounter the people who belong to all the impressions that we could collect on the go. But the center piece is NADYA, dedicated to the mother, which contains nothing except a few undated photographs. In the middle everything is EMPTY.
Charkow . Ellen Korth
7 booklets in a slipcase
260 x 345 x 30 mm
edition – 750
photographs – ellen korth
interviews/text – ellen korth/sybren kuiper
translation – hannah kousbroek/thorsten marquardt/ margreet van ’t wel
lithography – colour & books
binding – wytze fopma/fopmawier
printing – jos morree fine books
ISBN: 987 9 098 253 400 9
Self - Published
Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. “I am at war with the obvious,” Eggleston has said. His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning.
Featuring selections from the ten-volume The Democratic Forest (Steidl, 2015), this new book highlights 68 exceptional images from Eggleston’s epic project. His photography is “democratic” in its resistance to hierarchy where, as noted by the artist, “no particular subject is more or less important than another.” Featuring original scholarship by renowned art historian Alexander Nemerov, The Democratic Forest. Selected Works provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston’s photographic practice.
"Eggleston’s … hard architecture of splendid colors, flattened and floating in the sky, vividly shows—and appreciates—the American hubris of eternal disposability. He notes how the tastes of the moment (the golden arches, the shimmering soda bottles, the red Pegasus) cast themselves in immortal terms." Alexander Nemerov
Co-published with David Zwirner Books, New York
Exhibition: David Zwirner, New York, 27 October to 17 December 2016
William Eggleston . The Democratic Forest . Select Works
120 pages, 68 images
Hardback / Clothbound
29.8 x 31.1 cm
2. Edition 10/2017
Intimate Distance is the first comprehensive monograph charting the career of acclaimed American photographer Todd Hido. Though he has published many smaller monographs of individual bodies of work, this gathers his most iconic images for the first time and brings a fresh perspective to his oeuvre with the inclusion of many unpublished photographs.
Well-known for his photographs of landscapes and suburban housing across the United States, and for his use of luminous color, Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. David Campany introduces the work and looks specifically at Hido's cinematic influences and the kind of spectatorship the work demands. The book is organized chronologically, showing how his series overlap in exciting, new ways. Also featured are short interviews with Hido about the making of each of his monographs. From exterior to interior, surface observations to subconscious investigations, landscapes to nudes, this mid-career survey reveals insight into Hido's practice and illustrates how his unique focus has developed and shifted over time.
Todd Hido (born in Kent, Ohio, 1968) is a San Francisco Bay Area-based artist. His photographs are in the permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; and Los Angeles County Museum of Art, as well as in many other public and private collections. He has published over a dozen books, including House Hunting (2001), Roaming (2004), and Excerpts from Silver Meadows (2013). He is an adjunct professor at California College of the Arts. In 2014, Aperture published Todd Hido on Landscapes, Interiors, and the Nude as part of The Photography Workshop series.
David Campany (essay) is one of the best-known and most accessible writers on photography. His books include The Open Road (Aperture, 2014), Walker Evans: The Magazine Work (2013), Jeff Wall: Picture for Women (2011), Photography and Cinema (2008), and Art and Photography (2003). His essays have appeared in numerous books, including the 2016 Aperture title The Difficulties of Nonsense, on photographer Robert Cumming, and he contributes regularly to Aperture, Frieze, Photoworks, and Oxford Art Journal.
Katya Tylevich (texts) is an arts, architecture, and design journalist based in Los Angeles.
Intimate Distance . Todd Hido
Twenty-five Years of Photographs, A Chronological Album
Essay by David Campany
Texts by Katya Tylevich
9 1/2 x 11 1/2 inches
272 pages, 300 black-and-white and four-color images
Hardcover with jacket
978-1-59711-360-1 October 2016
During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
Paul Graham was born in 1956 in Stafford, England. He is has been the recipient of numerous awards and fellowships including the Deutsche Börse Photography Prize, a Guggenheim Fellowship, the Hasselblad Award and the Paris Photo-Aperture Foundation Photo Book Awards prize for best photographic book of the past 15 years. His publications include The Whiteness of the Whale (MACK, 2015), Does Yellow Run Forever? (MACK, 2014), The Present (MACK, 2012), 1981 & 2011 (MACK, 2012), a shimmer of possibility (MACK, 2007), Films (MACK, 2011), American Night (MACK, 2003) and End of an Age (Scalo, 1999). He has exhibited at Tate Gallery, MoMA, Whitney Museum of American Art, Deichtorhallen and Fotomuseum Winterthur amongst many others.
Paris 11-15th November, 2015
30 colour plates
18 cm x 26 cm
Publication date: November 2016
"General View“ investigates conceptions of a new reality that continuously departs from the indexical referent towards an ever-changing rendering of a world that is yet still routed in the photographic image.
Inspired by photographs of Yosemite National Park – one of the most intensely mediated nature sites on earth, the series toys with the question regarding the necessity of traveling to a place that has been photographed innumerable times, the need to record additional photographs.
If countless images of a specific place are downloadable or can be screenshot, have I been there already?
The series concentrates on the reenactment of glitches on Google Street View; in a gesture similar to the concepts of Warhol‘s Brillo Box or Fischli & Weiss‘ reversed Ready-mades, the malfunctions are appropriated and reenacted via pre- and post-photographic processes – to test their sculptural qualities, their ability to become an autonomous entity, potentially independent from their indexical referents.
The unintended glitches (as well as the originally intended blurs to conceal faces or car plates) appear as a trace of the algorithmic merging and altering of photographic images without direct human control; an early potential glimpse into, a herald for a post-human understanding of the concept of the image or its redundancy and disappearance.
GENERAL VIEW - Thomas Albdorf
Edition of 700
Saddle Stitch Hardcover
Designed by Thomas Albdorf and Milo Montelli
Text by Darren Campion
According to Ivan Vartanian, Tokyo-based photographer Yoshinori Mizutani “is part of the Tumblr generation of photographers”. Using social media, his approach to photography involves regularly updating his photo stream, following other users, and reposting images. In this virtual deluge of images, appearance takes precedence, which Mizutani reflects in his work: the vertical format signals the display of a hand-held device, artificial light sources (both ambient and flash), the inaccessibility of a purely natural world. His keen eye for colour and appreciation for detail in the mundane urban surroundings leads to a disconcerting yet beautiful expression of Japanese aesthetics.
Yoshinori Mizutani - Colors
184 p, ills colour, 16 x 33 cm, hb, Japanese/English.
The book tells about a travel in Estonia, into the wood, in the footsteps of wolves. The silence and the snow. The occasion for hunting: of meaning, of God.
Photos by Alexandre Christiaens
Project by Valentino Barachini
Copywriting by Matilde V. Laricchia.
Translation by Jeanne De Visscher e Massimiliano Barachini.
Languages: italian, English and French.
100 copies numbered and signed
Closed book dimensions: 29x24cm approximately.
50 pages, 38 photos in 4 colours and b/w.
Collectors' edition adds to book a photograph printed on baritated paper in a darkroom (no inkjet) in 30 copies, numbered and signed by Alexandre Christiaens.
Each copy is unique, made of randomly stacked sheets printed only on the recto and coming with a unique and extra overs sheet bonus (overprint) hidden somewhere in the flow.
This book started with an artist residency in Mulhouse, in October 2015, as part of the Mulhouse Biennial of Photography 2016.
It is now the intuitive and flooded river of my working process, with images from a variety of sources (and periods) : c-prints, collages, installations views, photocopies, pages from my Revisited Cuban book,...
This random book is printed on glossy magazine paper, resulting in a sprawling and flexible publication that is not just documenting a working process, but also becomes part of it, as an experimental "anti-catalogue" reflecting the same energy as Anti-poetry.
With support of Mulhouse Art Contemporain
Vincent Delbrouck . Catalogue
Photographs and collages : Vincent Delbrouck (V.D.)
Editing and Design : V.D. and Philippe Koeune
free softcover with flaps
red linen binding tape
21 x 29,7 cm (8,27 x 11,69“)
248 pages / 116 illustrations / full color
Offset printing on glossy 135g paper
Edition of 480 unique copies + 30 unique collector’s copies
In 2007 Ricardo Cases embarked on a trip across Mali in the company of a white man. Along the way he photographed everything that caught his attention and took portraits of his fellow traveller, a man from Seville whose primary activities were thinking and looking. On his return, Cases reviewed the material and started playing around with the images, with a view to connecting both groups of photographs: those of his travel companion and those of the territory they had visited. He realised however that the images were not sufficiently self-standing to tell the story he had intended, and after a few failed attempts he pushed the material into a drawer.
Years later, in 2015, he returned to the images and felt he was starting to connect with them. Some of them suggested ideas: the lack of legitimacy he felt as a photographer in talking about a place he experienced only in passing; the innocence in the gaze of the tourist who goes with the flow, stimulated by the journey’s serendipity and by the exoticism of a foreign culture and reality; how it can sometimes be appropriate to linger on the surface, in the realm of the imagined, on the outcome of an experience so specific that it could nearly be a dream…
That’s when he decided to structure the work around these new premises and edit this book in collaboration with Iván del Rey de la Torre, whose texts enter into a dance with the photographs, against that melody. The relationship thus established reveals how an image’s importance often lies not in its materiality, but rather in the tracing of it that we carry around forever in our mind. When we fabricate new images, they are nothing but projections of those tracings.
That was the genesis of El blanco, a story where an examination of the West’s representation of outlying territories leads us to question representation itself.
Ricardo Cases & Iván del Rey de la Torre
Photos: Ricardo Cases
Texts: Iván del Rey de la Torre
Translation: Aitor Arauz Chapman
Design: Mónica Martínez, Ricardo Cases, Ángel Álvarez (Tipode Office)
Prepress: Víctor Garrido
20 x 28 cm
Spanish edition - 200 copies (also available in English )